Reseña del libro "A Life with Colour: Gerard Wagner (en Inglés)"
"When embarking on writing a biography of the painter Gerard Wagner, one encounters a kind of paradox--for Wagner claimed not to have had a biography. It is true that events in his life were not particularly dramatic, and he hardly traveled the world. Few artists have so wholeheartedly spent most of their adult life before an easel as Gerard Wagner did. The journey of his life is written in his paintings. As Gerard Wagner described in his biographical sketch, those inner journeys to different lands of color are no less significant than outer journeys.... The Experiences the painter has on these 'journeys' belong to him. The pictures are visible for all to see; they are an 'open secret.'" --Caroline ChanterThis volume offers the first complete survey of Gerard Wagner's biography and his artistic intentions, featuring dozens of illustrations and more than 200 color plates.The life and work of Gerard Wagner (1906-1999) were closely aligned to the artistic spiritual stream connected with the Goetheanum in Dornach, Switzerland. Wagner was still a youth when he first heard of the Goetheanum and its destruction by fire at New Year 1922/23. In 1926, he made his first visit to Dornach, but his intended week-long stay became a lifelong sojourn of more than 73 years. There, he found an active, striving community with which he felt intimately connected. From the start, Gerard Wagner immersed himself in the various artistic impulses that Rudolf Steiner had instigated. This, along with his intensive study of Anthroposophy, formed the basis on which he was able to forge his approach to painting. Many years spent in color experimentation led Wagner to discover objective principles in the language of color and form that continue to inspire many today. Wagner's paintings--first shown at the Goetheanum during the early 1940s--were exhibited internationally, most notably at the Menshikov Palace, Hermitage Museum, St Petersburg, Russia, in 1997.Includes 236 color plates.
