Reseña del libro "Eugene O'neill's Creative Struggle: The Decisive Decade, 1924–1933 (en Inglés)"
Eugene ONeills Creative Struggles will become one of the handful of standard studies of ONeills life and work. --- Frederick C. Wilkins, Editor, The Eugene ONeill Review A unique and extremely valuable work. Reading this book is also a delightful experience---the imaginative quality of the scholarship is dazzling. ---William J. Fisher, Rutgers UniversityIn Eugene ONeills Creative Struggle, Doris Alexander gives us a new kind of inside biography that begins where the others leave off. It follows ONeill through the door into his writing room to give a blow-by-blow account of how he fought out in his plays his great life battles--- love against hate, doubt against belief, life against death--- to an ever-expanding understanding. It presents a new kinds of criticism, showing how ONeills most intimate struggles worked their way to resolution through the drama of his plays. Alexander reveals that he was engineering his own consciousness through his plays and solving his life problems--- while the tone, imagery, and richness of the plays all came out of the nexus of memories summoned up by the urgency of the problems he faced in them. By the way of ONeill, this study moves toward a theory of the impulse that sets off a writers creativity, and a theory of how that impulse acts to shape a work, not only in a dramatist like ONeill but also in the case of writers in other meduims, and even of painters and composers. The study begins with Desire Under the Elms because that plays plot was consolidated by a dream that opened up the transfixing grief that precipitated the play for ONeill, and it ends with Days Without End when he had resolved his major emotional-philosophical striggle and created withing himself the voice of his final great plays. Since the analysis brings to bear on the plays all of his concious decisions, ideas, theories, as well as the life-and-death struggles motivating them, documenting even the final creative changes made during rehearsals, this book provid
