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Geographies of Power: Understanding the Nature of Terminal Classic Pottery in the Maya Lowlands (Bar International Series) (en Inglés)
Sandra L. Lopez Varela; Antonia E. Foias (Autor)
·
British Archaeological Reports Oxford Ltd
· Tapa Blanda
Geographies of Power: Understanding the Nature of Terminal Classic Pottery in the Maya Lowlands (Bar International Series) (en Inglés) - Sandra L. Lopez Varela; Antonia E. Foias
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Reseña del libro "Geographies of Power: Understanding the Nature of Terminal Classic Pottery in the Maya Lowlands (Bar International Series) (en Inglés)"
Twelve contributors present the contents of the Terminal Classic (the Mayan Lowlands, Central America) ceramic complexes in their area of study, and discuss them against the complexity and diversity of social processes illuminated by recent investigations. Contents: An Introduction to Geographies of Power (Sandra L. López Varela and Antonia E. Foias); A Survey of Terminal Classic Ceramic Complexes and Their Socioeconomic Implications (Donald W. Forsyth); Fine Paste Wares and the Terminal Classic in the Petexbatun and Pasion Regions, Peten, Guatemala (Antonia E. Foias and Ronald L. Bishop); Dynamics of Engagement in the Usumacinta River Valley and the Coastal Plains of Tabasco: traversing Terminal Classic Hypotheses (Sandra L. López Varela); The communities of the Holmul river drainage at the periphery of Tikal during the terminal classic and the identification of a distinctive micaceous paste component (Vilma Fialko); Contextualizing the Collapse Hegemony and Terminal Classic Ceramics from Caracol, Belize (Arlen F. Chase and Diane Z. Chase); Continuity and Change in the Ceramic Complex of Xunantunich during the Late and Terminal Classic Periods (Lisa J. LeCount); Terminal Classic Pottery Production in the Ul Valley, Honduras (Jeanne L. Lopiparo, Rosemary A. Joyce, and Julia A. Hendon); Pushing the Limits: Late to Terminal Classic Settlement and Economies on the Northern Belize Coast (Shirley Boteler Mock); Western Puuc Sociopolitical and Community Organization as Viewed through Terminal Classic Ceramics (Lorraine A. Williams-Beck); Late and Terminal Classic Puuc Ceramics as seen from Xkipché (Michael Vallo); Future Directions in the Study of Terminal Classic Ceramics: some brief Comments (Jeremy A. Sabloff).
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