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Songs, &c. In the Burletta of the Bird Catcher: Or, Catch as Catch Can. With a Description of the Story of the new Pantomime of Peter Wilkins: Or,C New Splendid Ballet Spectacle of Blackenberg (en Inglés)
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Songs, &c. In the Burletta of the Bird Catcher: Or, Catch as Catch Can. With a Description of the Story of the new Pantomime of Peter Wilkins: Or,C New Splendid Ballet Spectacle of Blackenberg (en Inglés) - See Notes Multiple Contributors
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Reseña del libro "Songs, &c. In the Burletta of the Bird Catcher: Or, Catch as Catch Can. With a Description of the Story of the new Pantomime of Peter Wilkins: Or,C New Splendid Ballet Spectacle of Blackenberg (en Inglés)"
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT224241'Blackenberg; or, spirit of the Elbe' and 'Peter Wilkins: or, harlequin in the flying world' are by Charles Dibdin, junior. The final p. 5 is on a verso; no register or catchwords. Without the music.[London], 1800. 7, [2],3-4, [2],3-5p.; 8
