Reseña del libro "Athenian Potters and Painters iii (en Inglés)"
Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops – Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms – plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters’ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers – chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.Table of ContentsContentsForeword1 Fallen Vessels and Risen Spirits: Conveying the Presence of the Dead on White-ground LekythoiNathan Arrington2 Under the Tuscan Soil: Reuniting Attic Vases with an Etruscan TombSheramy D. Bundrick3 Regional Variation: Pelops and Chrysippos in ApuliaT.H. Carpenter4 Baskets, Nets and Cages: Indicia of Spatial Illusionism in Athenian Vase-PaintingBeth Cohen5 Red-figured Cups in the KerameikosHeide Frielinghaus6 Smikros and Epilykos: Two Comic Inventions in Athenian Vase-PaintingGuy Hedreen7 Facing West: Athenian Influence on Isolated Heads in Italian Red-figure Vase-PaintingKeely Elizabeth Heuer8 The Gigantomachy in Attic and Apulian Vase-Painting. A New Look at Similarities, Differences and OriginsFrank Hildebrandt9 Some Greek Vases in the Museum of Mediterranean Archaeology at Nor David (Gan Hashlosha) IsraelSonia Klinger10 Trade of Athenian Figured Pottery and the Effects of ConnectivityKathleen Lynch and Stephen Matter11 Plates by PasteasMario Iozzo12 Beautiful Men on Vases for the DeadThomas Mannack13 The View from Behind the Kline: Symposial Space and BeyondTimothy McNiven14 Chariots in Black-figure Attic Vase-painting: Antecedents and RamificationsJoan R. Mertens15 Whom are You Calling a Barbarian? A Column Krater by the Suessula PainterJ. Michael Padgett16 Good Dog, Bad Dog: A Cup by the Triptolemos Painter and Aspects of Canine Behavior on Athenian VasesSeth D. Pevnick17 A Scorpion and a Smile: Two Vases in the Kemper Museum of Art in Saint LouisSusan I. Rotroff18 Demographics and Productivity in the Ancient Athenian Pottery IndustryPhilip Saperstein19 An Amazonomachy Attributed to the Syleus PainterDavid Saunders20 Democratic Vessels? The Changing Shape of Athenian Vases in Late Archaic and Early Classical TimesStefan Schmidt21 A Kantharos in the Museum of Fine Arts, Boston and the Reception of Athenian Red-figure in BoeotiaPhoebe Segal22 Oikos and Hetairoi: Black-figure Departure Scenes ReconsideredMartina Seifert23 The Robinson Group of Panathenaic AmphoraeH.A. Shapiro24 Guess Who’s Coming to Dinner? Red-figure Komasts and the Performance Culture of AthensTyler Jo Smith25 Menelaos and Helen in Attic Vase PaintingMark D. Stansbury-O’Donnell26 Attic Black-figure and Red-figure Fragments from the Sanctuary of Apollo at Mandra on DespotikoRobert F. Sutton and Yannos Kourayos27 The Attic Phiale in Context. The Late Archaic Red-figure and Coral-red WorkshopsAthena TsingaridaColour Plates 1-32
