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portada Making Black History: The Color Line, Culture, and Race in the Age of Jim Crow (en Inglés)
Formato
Libro Físico
Idioma
Inglés
N° páginas
256
Encuadernación
Tapa Blanda
Dimensiones
22.9 x 15.2 x 1.4 cm
Peso
0.35 kg.
ISBN13
9780820352831

Making Black History: The Color Line, Culture, and Race in the Age of Jim Crow (en Inglés)

Jeffrey Aaron Snyder (Autor) · University of Georgia Press · Tapa Blanda

Making Black History: The Color Line, Culture, and Race in the Age of Jim Crow (en Inglés) - Snyder, Jeffrey Aaron

Libro Físico

42,67 €

44,91 €

Ahorras: 2,25 €

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  • Estado: Nuevo
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Origen: Estados Unidos (Costos de importación incluídos en el precio)
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Reseña del libro "Making Black History: The Color Line, Culture, and Race in the Age of Jim Crow (en Inglés)"

In the Jim Crow era, along with black churches, schools, and newspapers, African Americans also had their own history. Making Black History focuses on the engine behind the early black history movement, Carter G. Woodson and his Association for the Study of Negro Life and History (ASNLH). Author Jeffrey Aaron Snyder shows how the study and celebration of black history became an increasingly important part of African American life over the course of the early to mid-twentieth century. It was the glue that held African Americans together as "a people," a weapon to fight racism, and a roadmap to a brighter future. Making Black History takes an expansive view of the historical enterprise, covering not just the production of black history but also its circulation, reception, and performance. Woodson, the only professional historian whose parents had been born into slavery, attracted a strong network of devoted members to the ASNLH, including professional and lay historians, teachers, students, "race" leaders, journalists, and artists. They all grappled with a set of interrelated questions: Who and what is "Negro"? What is the relationship of black history to American history? And what are the purposes of history? Tracking the different answers to these questions, Snyder recovers a rich public discourse about black history that took shape in journals, monographs, and textbooks and sprang to life in the pages of the black press, the classrooms of black schools, and annual celebrations of Negro History Week. By lining up the Negro history movement's trajectory with the wider arc of African American history, Snyder changes our understanding of such signal aspects of twentieth-century black life as segregated schools, the Harlem Renaissance, and the emerging modern civil rights movement.

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